As you may know from this blog, and as you certainly know if you follow me on Tumblr or DeviantArt, I’m an artist. Whenever I draw in a public place, which I do a lot, there is always someone who comes up to me and says some version of, “wow, you drew that?! I can’t even draw straight lines, I could never do that.” And this irks me just a little bit, even as I say thank you. Not because they assumed that just because I can draw, I can draw straight lines (I can’t). Because they can “do that”. Because art isn’t magic, it’s a skill.
Why do I say people think art is magic? If I asked someone, they probably wouldn’t say they do. People know that art is a skill, or at least a talent or a gift or a blessing or something. But the fact remains that when people see the process of art being done, or see a finished piece, they don’t think of the process at all. People think “ooh pretty” long before, and mostly in lieu of, thinking “how did they do that?” So you get responses like the one I mentioned. So for practical purposes, people do think of art as magic, at least subconsciously.
It can be very easy to think of art as magic. After all, there really isn’t a way for good information-transfer between two human brains other than oil and carbon on dry tree pulp. But the fact remains that art is not in fact magic, and there is in fact some process by which artists learn how to do art. So why do people act like it is?
I posit that it works like this. Humans really like being right, and when we’re wrong, we kind of freak out. This freak-out can be anything from a giggle to a scream, depending on the person and circumstance. Consider, for example, how people react to optical illusions.
The thing that humans are wrong about in terms of art is whether or not it’s real. “Is that a painting, or is there a person looking at me through a hole in the wall?” thinks your caveman brain, which wants the art to be real.
“Obviously it’s not a real person, because real people blink and move and stuff,” says your modern brain, which cares a lot more about truth and logic than your caveman brain.
But your caveman brain, which also thinks that anything with two dots and another shape below the dots counts as a face, is undeterred, and so, subconsciously, you freak out a little.
So then, the first step in understanding how art works is to convince your caveman brain that it’s not magic. The second step is to learn the real process behind art.
How art is done is actually very, very simple. There are two steps. Step one, pick up a pencil and try to draw. Step two, notice the ways in which your drawing does not look like the thing you were trying to draw, and then return to step one. Repeat ad nauseum until you do good art.
“But if that’s all there is to art,” you may want to ask, “where does all this stuff about color theory and vanishing points and other art words come from?” The answer to this is pretty straightforward: artists need names for certain ways of representing the world on paper. Color theory is just a guideline for making colors work together, and you unknowingly use it every day when you pick an outfit. Vanishing points are just a guideline for how to draw distance, since distance is a 3D thing and all we’ve got is 2D paper. This is how it goes for all the art things: they’re simple techniques to get art to look like reality.
Once an artist is very good, there are a few more steps to the drawing process. Think of an idea, map out how to put it on paper, think of colors, decide how to use them, then draw. But don’t be fooled: it’s not actually any harder. The real difference is that here, the analysis happens before the drawing, not after.
So basically: art is actually a very easy thing, made to seem hard because your caveman brain wants to think of art as reality. With this knowledge in tow, you should know one last thing: you can learn to draw too.
There is literally nothing special about me that makes me a better artist. There wasn’t a heck of a lot special about Michelangelo that made him a better artist. It was, in both cases, some small amount of talent and a ton of hard work (Michelangelo’s hard work was exponentially greater than mine), spread over many many years. The simple cycle of self-improvement does its thing and out comes a good artist with good art.
A lot of people don’t learn to draw because art seems complicated or hard, but you already know it’s not. All those years of improvement may seem daunting, but they’re not: do one drawing at a time, whenever you want, and you’ll improve. That’s all there is to it.
To wrap it up, if you want to learn to draw, you can draw. Don’t wait for the art fairy to sprinkle you in pixie dust; it won’t happen. You don’t need magic, or even talent. You need a pencil and an eraser. Just go ahead and start! It is really that easy.